Zoo Magazine - Denny Pham
Hair & Make-up: Felix Stößer
Kevin Costner
Hair & Make-up: Kerstin Hoffmann
Sustainability, make-up and red carpet
Hair & Make-up: Andréas Bernhardt, Brigitte Brenner, Felix Stößer, Gabrielle Theurer, Kristin Rös, Mby, Meilynn Lindlar, Saskia Krause
Music video production and team work
Hair & Make-up: Andréas Bernhardt, Saskia Krause, Felix Stößer
Bullet Train
Hair & Make-up: Felix Stößer, Mby
ZOO Magazine – Anniversary Issue 75
Hair & Make-up: Saskia Krause
Barbara Schöneberger interviews Tim Raue for the current issue of BARBARA-Magazine
New Yorker
Set Design: Kathleen
Louis Hofmann
Hair & Make-up: Maha Hölbling
Meltem Kaptan
Hair & Make-up: Katharina Handel
Music video production and team work
Grooming: Andréas Bernhardt
Hair: Saskia Krause
Make-up: Felix Stößer
Talent: Norman Theuerkorn
DOP: Ben Borger
Photo: Jonas Huckstorf
We love it when our artists get to work together on a project.
Andreas Bernhardt, Saskia Krause and Felix Stößer teamed up for Norman Theuerkorn's new single, LIEBE.
Andreas groomed Norman Theuerkorn and produced his entire skull make-up and details in his hair while Saskia styled the band’s hair and Felix did the band’s make-up.
The bond between these three is very dear and special to us as Saskia started her collaboration with us, back then, by assisting Andreas and later on, Felix was introduced to us by Saskia💙.
This trio is definitely the best recipe for a fun, creative and successful production!
To see more of our artists'work, just click on their names in the text above.
For inquiries simply write to us at mail@basics.berlin or call us directly: +49(0)30 884 718 11. We are looking forward to hearing from you.
Schön! Magazine
"A seasoned actor of both stage and screen, Wilbusch’s popularity recently exploded with the release of Netflix’s Unorthodox. Wilbusch portrays Moishe, a troubled man who accompanies another character, Yanky, to Berlin, Germany in pursuit of Yanky’s wife who has fled their Williamsburg, Brooklyn-based ultra-orthodox community. The series was groundbreaking in a number of respects; its “inspired by true events” story received considerable praise, and its heavy use of Yiddish was a major first in the world of television. (...)" to read the whole article, click here.
Written by Braden Bjella