ELIF – "ALLES HELAL"

Hair & Make-up: Saskia Krause

Elif herself says: "I believe that when we are at peace with ourselves, in the end ALLES IST HELAL. In her song she describes the struggle between two worlds. Angel or devil? Our make-up artist Saskia Krause helped to show Elif's transformation not only through her make-up, but was another part of the visual realization by directing together with Viktor Schanz. We are proud!

Schön! Magazine

Hair & Make-up: Anna Kürner

"Jeff Wilbusch’s life has been far from conventional. Born in Israel into a Hasidic Jewish community, Wilbusch left at the age of thirteen to pursue an education in The Netherlands before becoming a full-time actor in various locations around Europe. Even as Schön! speaks to him today, he confesses he’s living out of a suitcase, ready at any moment to set off to wherever his diverse and already fairly storied career takes him next.
“It’s something I really like,” he says of his newly mobile life. “It’s something that is really freeing to me right now. Maybe one day will come where I will want to have a place where my base is, but now, I have a kind of flow. It’s really nice.”"
Written by Braden Bjella

Jessica Henwick

Hair: Saskia Krause

Make-up:

Photo: Matt Berberi

Client: W Magazine

Talent: Jessica Henwick

Our make-up artists Jazz Mang and Saskia Krause were on the rooftops of Berlin together with british actress Jessica Henwick and photographer Matt Berberi. The shoot took place between the filming of The Matrix 4 for W Magazine.

Schön! Magazine

Grooming: Anna Kürner

Photo: Valeria Mitelman

Client: Schön! Magazine

Talent: Jeff Wilbusch

"A seasoned actor of both stage and screen, Wilbusch’s popularity recently exploded with the release of Netflix’s Unorthodox. Wilbusch portrays Moishe, a troubled man who accompanies another character, Yanky, to Berlin, Germany in pursuit of Yanky’s wife who has fled their Williamsburg, Brooklyn-based ultra-orthodox community. The series was groundbreaking in a number of respects; its “inspired by true events” story received considerable praise, and its heavy use of Yiddish was a major first in the world of television. (...)" to read the whole article, click here.
Written by Braden Bjella