Face To Face – German Films
Hair & Make-up: Brigitte Brenner
Marc Cain
Styling: Lee
LOTTE – "So Wie Ich"
Hair & Make-up: Katharina Handel
Jeanette Biedermann – "Wenn Du Willst"
Hair & Make-up: Katharina Handel
BUNTE Quaterly – Yvonne Catterfeld
Hair & Make-up: Saskia Krause
Sparkasse
Hair & Make-up: Katharina Handel
BUNTE Szene – Luise Befort
Styling: Julius Forgo
Liebeskind
Hair & Make-up: Felix Stößer
ICON
Hair & Make-up: Gabrielle Theurer
Liebeskind – Time & Jewel
Hair & Make-up: Felix Stößer
Bullet Train
Hair & Make-up: Felix Stößer
Talent: Brian Tyree, Kelly McCormick, David Leitch
Hair & Make-up: Mby
Talent: Zazie Beetz
Client: Sony Pictures
Photo: Future Image
The opening week of Bullet Train just ended and we want to look back on the amazing adventure it was for us when the movie crew came to Berlin for the press conference and Premiere.
The day started off a little bumpy in this pandemic time. Thanks to the efficiency and combined efforts of Sony Pictures´ team, our agency and artists, everything started on time and ran smoothly.
Two of our hair and make-up artists covered the event and followed the crew for the press conference at the Adlon Hotel and the Premiere at the Zoo Palast.
Mby “made“ her red carpet debut and prepared cast member Zazie Beets for the Premiere.
Felix groomed Brian Tyree Henry and glammed up producer Kelly McCormick as well as film director David Leitch for the red carpet.
Check Mby´s Portfolio here.
Check Felix's Portfolio here.
For inquiries simply write to us at mail@basics.berlin or call us directly: +49(0)30 884 718 11
Schön! Magazine
"A seasoned actor of both stage and screen, Wilbusch’s popularity recently exploded with the release of Netflix’s Unorthodox. Wilbusch portrays Moishe, a troubled man who accompanies another character, Yanky, to Berlin, Germany in pursuit of Yanky’s wife who has fled their Williamsburg, Brooklyn-based ultra-orthodox community. The series was groundbreaking in a number of respects; its “inspired by true events” story received considerable praise, and its heavy use of Yiddish was a major first in the world of television. (...)" to read the whole article, click here.
Written by Braden Bjella